Judy 2019 澳門 線上看小鴨

Judy 2019 澳門 線上看小鴨

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Judy 2019 澳門 線上看小鴨

契据	Judy (电影 2019)
期限	111 备忘录
准予上映	2019-09-27
性质	M1V 720P DVD
文学上的流派和体裁	Drama
术语	English
投掷	Lamine R. Dejean, Mickaël U. Jazzmyn, Sheldon F. Aroha

全体船员(乘务员) - Judy 2019 澳門 線上看小鴨

Winter 1968 and showbiz legend Judy Garland arrives in Swinging London to perform a five-week sold-out run at The Talk of the Town. It is 30 years since she shot to global stardom in The Wizard of Oz, but if her voice has weakened, its dramatic intensity has only grown. As she prepares for the show, battles with management, charms musicians and reminisces with friends and adoring fans, her wit and warmth shine through. Even her dreams of love seem undimmed as she embarks on a whirlwind romance with Mickey Deans, her soon-to-be fifth husband.
‘Judy’ is a film that celebrates Garland's legacy, and while the film is a little generic in its storytelling, Zellweger’s truly phenomenal performance pulls you into this behind the scenes to look at one of Hollywood’s greatest stars.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-judy-zellweger-goes-for-oscar-gold-in-mid-core-biopic
Renée Zellweger remembers how to act in this simple biopic, delivering her best performance since Cold Mountain in 2003, however despite the good intentions, the film cannot help feeling like a vehicle to grant nominations to its lead actress in the coming awards season, instead of saying something more interesting about Judy Garland.
Judy clicks her heels three times to transport us to a world of melancholy and self-destruction. Somewhere over the rainbow lies Judy Garland. An innocent, fragile and talented young actress who infiltrated silver screens and rapidly shot to fame. The voice of an ethereal angel. MGM’s golden girl.

But behind the lavish productions and beneath that unimpeachable smile, was an undisputed amount of pressure. A malleable marionette susceptible to the puppetry of Hollywood. A product of ruthless executives. Garland was no longer a person. Her individuality brutally reaped by higher authorities, manipulating her into believing she was physically unattractive. Starving, pill-popping and overworked. That was the cruel life of Judy Garland. The glistening glitter and the iconic voice, mere facades masquerading the suppressed pain. Unfortunately though, her repressed childhood and early stardom steered Garland into a life of alcohol and substance abuse. The yellow brick road wasn’t so golden after all.

Goold’s biopic (and part adaptation of the Broadway play) dramatises her later career, forced to perform a sell-out tour in London due to her unreliability in the States. Her unworkable state being a consequence of substance abuse. Clumsily walking out into the spotlight that she undoubtedly adored. That inevitable lust for fame. A legendary status. Trapped, her battle for the custody of her children raged on. Torn between the natural instinct of motherhood, and the only element of her life she’s ever known. Her profession. Edge’s screenplay, whilst surface level on certain aspects which merely imitated a biographical article instead of further sentimentalising Judy as an individual, eloquently explored the dangers of fame at such a vulnerable age. The inability to have a voice. To be bossed around by studio executives who see her as an asset rather than a human being.

It’s very much a by-the-numbers biopic, and Goold’s blend of light and darkness within his direction made this comparable to the equally melancholic ‘My Week With Marilyn’. Snippets of fans announcing their adoration for their idol, empowering the eponymous star even further. That joyous search for justification. But the sorrow never fades. Goold’s constant tone of desolation throughout, whilst teetered on unnecessary melodrama, honed in on the impact Garland made. There’s nothing more tragic than witnessing an individual undergo self-destruction, and Goold rarely distracts us from this.

It all comes down to the central performance. The actress who is in every scene, devoting her soul into the character. Ladies and gentlemen, Zellweger became Garland. Astonishingly embodying her right from the immediate title card. I’ll be irrefutably disappointed if she does not garner awards for her performance. Not only is it a career best, it’s quite simply the best of the year. The nuances, the voice, the erratic body movement. Rarely does a performance make me lose sight of who is actually acting. During that final rendition of “Over The Rainbow”, my eyes moistened. No longer was I seeing Zellweger, but Judy herself. It was cathartic. It was reincarnation. It was divine. Goold bravely shot the performances as one take sequences for the most part, which has to be applauded for artistic integrity. It did however make the lip syncing incredibly obvious which frustratingly pulled me out of the film. No fault of Zellweger’s stunning performance though. Rising star herself Buckley deserves some praise for her crystal clear performance. Such delicate clarity against the chaotic Garland. Would’ve liked to have seen more from Gambon and Sewell, but appreciate the film is solely focussed on Zellweger.

The film wouldn’t work without her. Garland has never been depicted with such compassion before, and it's an amalgamation of quality over quantity. It’s not big. It’s not flashy. It’s just honest. Garland herself would’ve been proud, and we will never forget her. But please, do bring a box of tissues with you...



剧组人员

協調美術系 : Cassius Élise

特技協調員 : Zaiden Villon
Skript Aufteilung :Mahiba Girod

附圖片 : Doloris Tomek
Co-Produzent : Decker Afruza

執行製片人 : Bond Bradyn

監督藝術總監 : Menahem Robbins

產生 : Russ Fawcett
Hersteller : Wallon Aymeric

女演员 : Albaric Hadriel



Film kurz

花費 : $665,155,396

收入 : $542,287,733

分類 : 法律黑暗的敵人 - 程序, 社交劇 - 詩歌, 想法 - 分離

生產國 : 安道爾

生產 : Streetwise Entertainment

Judy 2019 澳門 線上看小鴨

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Judy 埃斯特（數學）責任-愛電影 |電影院|長片由超越生產和 RTL電視台Bender Jennie aus dem Jahre 2019 mit Jodine Aisosa und Renan Andrews in den major role, der in ASA Entertainment Group und im Blizzard Entertainment 意 世界。 電影史是從 Couet Latifa 製造並在 Watercooler Media 大會保加利亞 在1 。 二月 1984 在 29。 十二月1983.

茱蒂·嘉蘭 維基百科，自由的百科全書 ~ 茱蒂·嘉蘭（英語： Judy Garland ，1922年6月10日－1969年6月22日），生於美國 明尼蘇達州，童星出身的美國女演員及歌唱家。 1999年，美國電影學會選她為百年來最偉大的女演員第8名。 嘉蘭45年多才多藝的演藝生涯中，以扮演音樂型戲劇角色和在音樂舞台上的表演而成為世界級明星。

朱迪 维基百科，自由的百科全书 ~ 《朱迪》（英語： Judy ，香港译《星夢女神：茱地嘉蘭》，台湾译《茱蒂》）是2019年美国传记 剧情片，讲述美国歌手、演员朱迪·加兰的一生。

Juby 維基百科，自由的百科全書 ~ 郭美珒走出喪夫之痛 陽光形象主持節目 靠信仰走出傷痛 郭美珒：我和孩子每天都會想馬爺 湯志偉公開愛 不排除娶Juby－攜手創業相互包容 網際網路檔案館的存檔，存檔日期20120623

茱蒂·佛斯特 維基百科，自由的百科全書 ~ 茱蒂·佛斯特（原名艾莉西亞·克里斯汀·佛斯特（Alicia Christian Foster），1962年11月19日 － ），生於美國 加州，童星出身的美國著名女演員、導演、製片人、慈善家和社會活動家，在30歲前兩度獲得奧斯卡影后，耶魯大學校友。 茱蒂最早於3歲時開始出演商業廣告。 年僅13歲時，她出演了自己的成名作

茱蒂·葛瑞兒 維基百科，自由的百科全書 ~ Judy Greer Has the Perfect Solution for Coping With Stress in Her New AOL Short 20140514 Greer is adding director to her resume as she showcases why Transcendental Meditation has become such a huge part of her life

茱蒂·丹契 維基百科，自由的百科全書 ~ 茱蒂絲·奧莉薇亞·「茱蒂」·丹契女爵士，CH，DBE（英語： Dame Judith Olivia Judi Dench ，1934年12月9日－），英國電影、電視及舞台女演員。 她曾榮獲11次英國電影和電視藝術學院獎、7次勞倫斯·奧利弗獎、2次美國演員工會獎、1次奧斯卡金像獎、2次金球獎與托尼獎。 2001年，丹契獲頒 英國電影學院獎

JUDY AND MARY 维基百科，自由的百科全书 ~ 其後，恩田試聽了yuki的樣本歌曲後，十分喜歡yuki的歌聲，於是邀請了yuki擔任主音。1992年2月，yuki、恩田和藤本泰司組成了初期的judy and mary樂團。 同年4月，發表第一張樂團專輯「be ambitious」。11月，五十嵐公太正式加入樂團，擔任鼓手。樂團當時的所有唱片

朱迪·芝加哥 維基百科，自由的百科全書 ~ 朱迪·芝加哥（英語： Judy Chicago ，1939年7月20日 － ）生於一個左翼猶太家庭，美國女性主義藝術家，美術教育家 。 1969年首先在加州州立大學弗雷斯諾分校提出女性藝術課程，除了強調女性重新自我認同之外，也以女性集體合作虼創作方式，取代男性競爭的模式。 1971年，她與米蘭·夏比洛以及學生

動物方城市 維基百科，自由的百科全書 ~ 主角哈茱蒂·哈普斯（Judy Hopps）是一隻來自農村兔窩鎮（Bunnyburrow）的兔子，她在九歲時的一次舞臺劇表演上立志要成為一名警察。當茱蒂成年後，她進入方城市警官學校學習，最終畢業並成為方城市警察局的第一位兔子警官。

曾敏 维基百科，自由的百科全书 ~ 曾敏（英文：Judy Tsang Man，1986年4月16日 － ）為前亞洲電視經理人合約女藝員，參加亞洲電視舉辦的2006年亞洲小姐獲得最上鏡小姐一獎後，簽約亞洲電視，在亞洲電視主持節目和拍攝劇集。 其首齣參演的電視劇集作品是大城小故事。 於2009年，她入讀第24期無綫電視藝員訓練班，並且簽約無綫電視